“Disney Who” Season 1 Review
Looking back across the landscape of the Fifteenth Doctor’s first season, we consider what we planned for, what we wished for, what we actually received, and what that leaves us feeling after nine episodes.
A long-running Doctor Who fandom podcast aimed at open and positive discussion.
Looking back across the landscape of the Fifteenth Doctor’s first season, we consider what we planned for, what we wished for, what we actually received, and what that leaves us feeling after nine episodes.
With the Universe succumbing to Sutekh’s horrific wrath, the Doctor must find a way to fight back while still grappling with Ruby’s mysterious parentage.
The many and varied mysteries of the Fifteeth Doctor’s first series are drawing together with an expected — yet unpredicted — classic twist.
The Doctor and Ruby cross paths with a brusque, brooding bounty hunter while contending with nefarious shapeshifters in Regency England.
The monsters are most definitely within the walls of Finetime as the Doctor and Ruby try to help from the other side of a display screen.
With the Doctor gone, Ruby is left alone with an unidentifiable stalker and a world seemingly turned against her.
Tensions are sky-high in a deep crater as Ruby tries to help the Doctor contend with a landmine, an overly ‘helpful’ medic robot, and the war-profiteering Villengard Corporation.
The delightfully insane Maestro intercepts the Doctor and Ruby’s visit to the Beatles’ first recording session, and alters history by stealing the world’s music.
Ruby’s new adventures with the Fifteenth Doctor begin with a monstrous bedtime story made manifest on board a space station full of infant refugees.
Composer and musician Jess Jurkovic joins us to discuss what that anachronistic music player in the console room might mean for the 15th Doctor’s upcoming series.